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Vanderbilt: The Rise and Fall of an American Dynasty 平装 – 2022年 9月 20日
“Splendid. . . . haunting and beautifully written.” — Washington Post
The #1 New York Times bestselling chronicle of the rise and fall of a legendary American dynasty, from CNN anchor and journalist Anderson Cooper and historian and novelist Katherine Howe.
One of the Washington Post's Notable Works of Nonfiction
When eleven-year-old Cornelius Vanderbilt began to work on his father’s small boat ferrying supplies in New York Harbor at the beginning of the nineteenth century, no one could have imagined that one day he would, through ruthlessness, cunning, and a pathological desire for money, build two empires—one in shipping and another in railroads—that would make him the richest man in America. His staggering fortune was fought over by his heirs after his death in 1877, sowing familial discord that would never fully heal. Though his son Billy doubled the money left by “the Commodore,” subsequent generations competed to find new and ever more extraordinary ways of spending it. By 2018, when the last Vanderbilt was forced out of The Breakers—the seventy-room summer estate in Newport, Rhode Island, that Cornelius’s grandson and namesake had built—the family would have been unrecognizable to the tycoon who started it all.
Now, the Commodore’s great-great-great-grandson Anderson Cooper, joins with historian Katherine Howe to explore the story of his legendary family and their outsized influence. Cooper and Howe breathe life into the ancestors who built the family’s empire, basked in the Commodore’s wealth, hosted lavish galas, and became synonymous with unfettered American capitalism and high society. Moving from the hardscrabble wharves of old Manhattan to the lavish drawing rooms of Gilded Age Fifth Avenue, from the ornate summer palaces of Newport to the courts of Europe, and all the way to modern-day New York, Cooper and Howe wryly recount the triumphs and tragedies of an American dynasty unlike any other.
Written with a unique insider’s viewpoint, this is a rollicking, quintessentially American history as remarkable as the family it so vividly captures.
- 纸书页数352页
- 语言英语
- 出版社Harper Paperbacks
- 出版日期2022年 9月 20日
- 尺寸13.49 x 2.31 x 20.32 cm
- ISBN-100062964623
- ISBN-13978-0062964625
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Well researched and very well written, and an interesting topic for history buffs, so well worth reading for the right reader!
Very well written and an easy read.
Pros:
- Cooper is, not surprisingly, a great narrator. Clear and polished without being affected.
- The book delivered to some extent on its title, describing the rise and fall of the dynasty, though emphasizing the fall.
- Certainly I know more about the Vanderbilts than I did before the book and have some sense of their place in history.
Cons:
- The book did not pay nearly enough attention to how the money was made. Basically, we hear a lot about how Commodore Cornelius got his start, which was great, but not how he built an empire. How people make money is important. Was it hard work and smart decisions? What were those decisions? Management style? How did the transition into railroads work? Who were other important people in the businesses? Was he a straight shooter or slimy? Is there a "great crime" behind the great fortune? And then, we get to BIlly, his primary heir, who in eight years *doubled* what was already the country's largest fortune, but *nothing* about how he made that happen (or whether he lucked into it). From there we hear little about the Vanderbilt involvement with the railroad, even though they seemed to be at least a little involved.
Basically, if you're going to present the rise and fall of a dynasty, spend at least as much time talking about how it was created (the hard part) as you do about how it was dissipated.
- The book involves a lot of time travel, with flashbacks, forward, sideways. It does this at both a chapter level and within the chapters. It was incredibly hard to follow at times, especially since I had not heard of any of these people before. This, along with sometimes not naming the people being talked about until well into a story, was completely unhelpful. The stories themselves are frequently dramatic, and they don't need these devices to make them so.
- Way too much detail about flowers at parties, attire, and home furnishings. It worked for Edith Wharton but not so well here.
- Way too many details that are speculative. "He would have felt the ..." It seemed like there was an attempt at literary fiction here - it didn't succeed for me.
- Why was there an entire chapter about Truman Capote? I get that he and Gloria were friends, but that doesn't seem to me to justify an entire chapter, or if it does, the chapter should be mostly about their relationship, and not a mini-biography of his rise and fall.