Stacy Holman Jones is a Professor in the Centre for Theatre and Performance at Monash University and is the author/editor of 11 books, including Kaleidoscope Notes: Writing Women’s Music and Organizational Culture (AltaMira,1998), Torch Singing: Performing Resistance and Desire from Edith Piaf to Billie Holiday (AltaMira, 2007), Handbook of Autoethnography (Left Coast Press, 2013 co-edited with Tony E. Adams and Carolyn Ellis) Autoethnography (Oxford University Press, 2015, co-authored with Tony E. Adams and Carolyn Ellis), Stories of Home: Identity, Place, Exile (Lexington, 2015, co-edited with Devika Chawla), Writing for Performance (Sense, co-authored with Anne Harris), The Queer Life of Things: Performance, Affect, and the More-Than-Human (Lexington, forthcoming, co-authored with Anne Harris), Queer Families, Schooling Publics: Keywords (Rutledge, forthcoming, co-authored with Anne Harris, Sandra Faulkner, and Eloise Brook), Queer Autoethnography (Left Coast, forthcoming, co-authored with Anne Harris), Writing for Performance (Sense, forthcoming, co-authored with Anne M. Harris) and The Handbook of Performance Studies (Wiley Blackwell, forthcoming) and more than 60 articles, book chapters, reviews, and editorials. She is the founding editor of Departures in Critical Qualitative Research, a journal dedicated to publishing innovative, experimental, aesthetic, and provocative works on the theories, practices, and possibilities of critical qualitative research.
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