Patricia A. Emison

Patricia Emison's intellectual base is the history of Renaissance prints: engravings, etchings, woodcuts. She has contributed to print exhibitions both locally and internationally. She became interested in the history of cinema as an extension of the phenomenon of Renaissance multiples and wrote ^Moving Pictures and Renaissance Imagery.'' Recently she has lectured on ``The Sexuality of Virtue in Renaissance Prints,'' part of a digital symposium: ``After Michelangelo, Past Picasso,'' at the Blanton Museum of Art, Austin, Texas (youtube, part II, 0:35), and published an article on ``Art, Aura, and Admiration in the Age of Digital Reproduction,'' Art History & Criticism/MIK, Vol. 17, 2021, 5-16. ^Art and its Observers^ offers an introduction to issues and ideas in the history of western art, ranging from ancient Greece to the present.